At the very start
when different was still frightening
instead of needed,
I questioned
an existence between two bodies that could be so unflawed.
I wondered if
I could ever teach you
to read between
the way I fragment everything.
I wondered if you could be the soft
that blurred my edges
into something manageable
and less dangerous to the touch.
In doubting, I found
that I could only adore
the way you licked at my wounds
until tongue swollen with cure
you lost the ability of speech
and had to define your love for me
with just two hands
that fit my skin perfectly.
In fast forwarding to present tense
I now climb to you under covers
to find sanctity in slipping between sheets
where your heart beats,
and when speaking
I have discovered that the way your name
forms in my mouth
is like
opening my lungs to take
my very first breath.
And while waiting to exhale
I think I may not ever
comprehend a love that is so pure.














Comments
The first two stanzas are my favorite, I think. Especially, "I wondered if
I could ever teach you
to read between
the way I fragment everything."
And it's totally because I know you and your poetry.
Also digging the tongue swollen metaphor. I hope you show this one to Richard.
My only small criticism is: I'm not so keen on the slipping the sheets talk, just because it's so overused in this type of writing. However, the last part of that same stanza I think you should keep somehow. It feels more powerful than the stereotypical bed sheets.
And yes, I am a hypocrite.
the "slipping between sheets" is not actually a sexual reference- it's a "lying-in-bed-and-letting-you-hold-me-until-i-fall-asleep" reference. however, there is no explaining when someone else reads so... if that's how you interperted it, i need to change it.
i don't want to lose that whole stanza, since it also incorporates my ending. but i will see if i can rework that one line to not sound so cliche.
and yes, he has seen it, like everything i write for him.
ugh. why am i stil talking? haha.
love YOU.
Previous PageNext Page